The postmodern globalization and the death of Amy Winehouse

Zigmunt Bauman makes clear in several articles that no one can afford to escape from the disposal, being thrown in the trash of world culture, English singer Amy Winehouse perhaps aware of the ephemerality of the careers of post-modern artists decided to live intensely enforce his few years of fame and extends them to a liquid anti-bauamanian eternity. She took all the drinks, drugs, smoked all, intensely lived and created intensely.
Who to see the picture well behaved the young age of fourteen Amy would say that the drilling would be a "Good" artistic behavior?
"In a liquid-modern society, the waste removal industry assumes a prominent position in the economy of liquid life. (...) In this society, nothing can claim exemption from the universal rule of disposal, and nothing can be allowed to become undesirable. "Baum, 1999)
Who is more famous or Amy Jannis Joplin, "Jim" Morrison, Jimi Hendrix, James Dean?
We do not know, but we understand that globalization, social networks and the Internet, Amy has created around them an aura that was only possible with the solidification of the facts that history provides geniuses.
The postmodern globalization allows real-time mourn the death of a genius who knows, dead to escape the much-hyped disposal by Bauman.
Daniel Silva Gomes